Subject:
xmas calls x 88 pt 2
Message:
hello all.
apologies for the delay and subsequent massive buildup... i was out of town, and i had to completely rebuild the scripts running the list (which i couldn't manage to do on the road) they couldn't deal with the increased volume for the list. hopefully this version will work better. in the process i added some pleasant new graphics to the homepage.
possibly the best benefit of the rebuild, is that it gave me the opportunity to set the script up so that all the calls will be archived at http://theredproject.com/calls/archives/ in the following naming pattern mmddyyx.html (where the x refers to the number of the email on that day (1 of 2, etc..)
if you haven't made a donation please consider this as a time to do so. (only about 20-30 people of the 1000+ on the list have.) To make a donation, please follow this link: https://www.paypal.com/xclick/business=Shop%40Mandiberg.com or send a check to 24700 McBean Pkwy #AR-34, Valencia CA 91355, USA
yours,
michael mandiberg
----------------------------------------------
***Orchestra Stolpnik***
***Bacaci Sjenki***
***Dancing in the Streets***
>>> C A L L F O R A P P L I C A T I O N S <<<
>>> S H A D O W C A S T E R S N E W Y O R K <<<
By: Boris Bakal, Katarina Pejovic, and Pina Siotto
------------------------------------------------------------
Artistic Direction: Orchestra Stolpnik (Italy) and Bacaci Sjenki
(Croatia)
------------------------------------------------------------
Produced by: Dancing in the Streets in association with The Kitchen
with
additional support provided by Columbia University Computer Music
Center (New
York, NY, USA)
------------------------------------------------------------
>>> Developmental Workshop: July 2003
Sponsored by: ArtsLink, a program of CEC International Partners;
>>> Production: 2004
SEEKING
************************************************************
Performing, Multimedia and Visual artists, writers, Web Designers,
Architects,
System Thinkers, Musicians, Art Historians, Dancers, Choreographers,
Photographers, Filmmakers and all interdisciplinary researchers from
New York
City and around the world for
>>> SHADOW CASTERS NEW YORK: DEVELOPMENTAL WORKSHOP <<<
>>> Application Deadline: January 15, 2003
>>> GO HERE TO DOWNLOAD APPLICATION FORM:
http://www.dancinginthestreets.org/ny/shadow_caster.html
>>> Notification: January 30, 2003
>>> Workshop Dates: July 10-27, 2003
PROJECT DESCRIPTION
************************************************************
Shadow Casters is an artistic project that unites various media and a
diversity
of methods in a specific creative exploration of different cities of
the world.
Each city is a territory to be re-read and re-mapped (re-semantisized)
by an
international Shadow Casters crew, that joins professionals of
different
generations from various fields, in order to conceive an interactive
multi-facetted and multi-centered performance and urban voyage.
Thus each city is a Shadow Casters project in and of itself: a new
ground to be
explored by a new creative team. Shadow Casters is therefore a network
of
several projects that are united by similar methods, principles and
visions.
Shadow Casters New York is a two-year project with the developmental
workshop
scheduled for July 2003 and the final production scheduled for 2004.
PROJECT HISTORY
************************************************************
Bakal, Pejovic and Siotto created earlier versions of Shadow Casters in
Bologna,
Italy; Ljubljana, Slovenia; Zagreb, Croatia; Belgrade, Yugoslavia; and
Graz,
Austria. Apart from New York City, they are preparing to bring the work
to
London, Prague, Brussels, Marseilles, and Seoul.
DEVELOPMENTAL WORKSHOP DESCRIPTION
************************************************************
PROGRAM
Up to 10 participants from New York City and around the world will be
selected
to join a developmental workshop for Shadow Casters New York. They will
collaborate on the process of creating Shadow Casters New York while
gaining
valuable performance, digital video and audio recording and editing,
Web design,
and research skills as well as creating an interactive polymedia event
that
leads towards the 2004 final production. During the 16 days,
participants will:
>> Explore the city of New York, its revealed and unrevealed strata,
its
time and space co-ordinates and their cross-sections that are always
determined
by the point of view.
>> Apply the tools and the techniques that include:
Urban Performing
Reality Recycling
Web Design, Digital Video and Audio Recording and Editing
Inner/Outer Mapping
Urban Dramaturgy
Dilating Perception
Hyperstory-telling
Shadowing and Reality Check Exercises
Database Creation and System Organization
>> Navigate the exploration by asking questions such as:
How does a city settle in my inner world?
What does the border between public and private mean and where is it
located?
Is there such a thing as a non-manipulative system?
Is there such a thing as the freedom of choice?
How to create a collective identity without standardizing individual
identities?
What is the relation between freedom, individuality and generalization?
The official language of the workshop is English, but Italian,
Serbian/Croatian,
Slovenian and French will also be available as communication tools.
Participants in the developmental workshop of Shadow Casters New York
might be
invited to participate in the final production scheduled for 2004.
TIME COMMITMENT
************************************************************
Thursday, July 10, 2003 through Sunday, July 27, 2003
10 hours per day or more
LIVING ARRANGEMENTS
************************************************************
Participants will live communally in the apartments with fellow
workshop
participants
Even if participant lives in New York City, he/she is required to live
with the
Shadow Casters team
PARTICIPANTS WILL RECEIVE
************************************************************
> Free housing from July 10-27, 2003
> Training in performance, digital video and audio recording and
editing, Web
design (structured according to the previous knowledge and the needs of
participants)
> Access to computers, the Internet, and digital video and audio
equipment
and editing software
> If needed, Dancing in the Streets will provide official invitations
for
participants seeking funding to cover their expenses for the workshop
> For Non USA participants who need USA Visas, Dancing in the Streets
will
provide a letter of invitation
PARTICIPANTS NEED TO PROVIDE
************************************************************
> Travel costs to and from New York City
> Daily food expenses
> Optional: Digital camcorders, cameras, DAT recorders, MiniDiscs,
laptops,
etc. (please indicate on your application the items that you will be
bringing)
FOR MORE INFORMATION
Email: shadow_casters@usa.com
No phone calls please
For further information about the producers please visit:
http://www.dancinginthestreets.org
APPLICATION FORM:
http://www.dancinginthestreets.org/ny/shadow_caster.html
Melissa de Raaf
To: panorama@impakt.nl
IMPAKT FESTIVAL 2003
DEADLINE: January 1, 2003
DOWNLOAD THE ENTRYFORM AT www.impakt.nl
IMPAKT 2003 is an international festival and will focus on
independently produced short works. IMPAKT 2003 takes place from June
3 until June 9 at the Central Museum in Utrecht, The Netherlands.
Every year Impakt features thematic programmes and an extensive
Panorama programme. The Panorama programme offers a high-quality
selection of recent audiovisual productions. We encourage to enter
short film, video and new media works (it is not possible to enter
documentaries and narrative works, proposals / registrations for
installations, performances and concerts)
To enter as submission for IMPAKT 2003
1) Download the PDF file of the entryform at www.impakt.nl and read
entry guidelines.
2) Fill out the entryform / please print.
3) Send printed form with your PAL or NTSC PREVIEW VHS tape before
January 1 2003
_________________________________
Melissa de Raaf
Impakt Festival
Postbus 735
3500 AS Utrecht
The Netherlands
If you use a courier service you must have your parcel delivered to
our office address:
Impakt Festival, Damstraat 19, 3531 BP Utrecht, The Netherlands
Tel.: + 31 30 2944493
2nd phone: + 31 30 2963408
Fax.: + 31 30 2944163
e-mail: melissa@impakt.nl
http://www.impakt.nl
Urban Anguishes / Angoisses Urbaines
la ville / the town
votre ville / your town :
les hommes et les femmes qu'on y croise... men and women that we meet... /
des gens comme vous et moi? people like you and me? / qui sont-ils? who are
they? / que font-ils ? what do they do ? / ΰ quoi pensent-ils? what are they
thinking?
http://users.skynet.be/tamara.lai/peur/fictions/AngUrb/AngUrb3.htm
merci d'envoyer vos fichiers au format :
please send your files :
.jpg, .gif, swf, .dcr. - 1Mb max.
all the best
tamara laο
Tell A Mouse
http://www.tellamouse.be.tf
Artists Fight Injustice! Artists for Peace, Justice &
Civil Liberties - Presented by The Arts Paper
Deadline: When war & injustice ends
The Arts Paper, a cultural and arts advocacy journal
in Boulder Colorado, is seeking visual and performing
art, as well as poetry and essays related to the
ongoing "War Against Terrorism" and the impending war
against Iraq for out Web site, "After the Fall:
Artists for Peace, Justice and Civil Liberties,"
Also, let us know about artists-for-peace public
activities (e.g., street performances, poetry
readings, visual arts exhibitions, etc.) for our
"Actions" pages.
In addition, we are developing pages for art about
specific countries - including Iraq and Afghanistan --
who have been or are threatened with attack: Iran,
Palestine, Somalia, et al ... and countries in ongoing
crisis, such as Northern Ireland, Colombia, Argentina
and Israel. Suggestions are welcome.
Other pages include art by and about Arabs and
Arab-Americans, Islam and American or European
Muslims, all of whom are under the gun, their civil
liberties threatened daily. We have pages as well
devoted to the Environment, Art and Nature. Peace,
justice and civil liberties include issues of
diversity, racial profiling, human rights, censorship,
ecological justice and women's rights. All artists'
Web sites will be linked. Select work will be
published as well in the print edition of The Arts
Paper, which has a
circulation of 10,000 worldwide.
Send submissions to The Arts Paper/Protest!
HeathCollom@aol.com, or
through the submission form, or by snail to:
The Arts Paper
1838 Pine Street
Boulder, CO 80302.
For video and audio clip instructions, write Webmaster
Tenah Johnson.
All works must include a short biography and
snail-mail address for the artist.
View our submission guidelines for this website. After
the Fall:
Artists for Peace, Justice and Civil Liberties,
welcomes submissions of anthology and
image gallery items for all sections of this website.
@RtH8Le is a new correspondance assembling magazine
-To participate in @RtH*Le, send 5 to 20 copies of
your 2-dimensional (more or less) graphic work, 5.5" x
8.5" (A5) in size, to the address below. The size of
your @RtH*Le will depend on the number of works you
send, based on an arcane formula, known only to the
publisher. Please allow 2cm / 3/4" on short side.
2-sided is good
-Each copy of @RtH*Le will be unique and will include
mail art news and information, artistamps, original
works from other artists around the world, personal
correspondance (usually), and whatever else the
publisher feels like including.
Ongoing, no deadline
address:
Boog
PO Box 1313
Lawrence, KS 66044
USA
email: boog59@juno.com
http://www.museum-of-temporary-art.com/
Art Call
Replace the exhibits and keep the exhibition alive
1. Choose the object (size about 4 x 4 x 8 cm) you
want to donate to the Museum of Temporary Art.
Please note: any objects bigger than the specified
sizes, as well as postcards or e-mail-contributions
cannot be exhibited as they don't fit in the
compartments.
¬ ¬
2. Download the exhibit sheet (pdf-file),print it and
fill out the fields Author, Description,
Comments/Origin and Date. Languages: English or
German. Please, don't forget to sign.
¬ ¬
3. Send both to:
The Museum of Temporary Art
c/o D. Rebsch
Vischerstr. 6/1
D-72072 T?Ίbingen
Germany
¬ ¬
4. Your contribution will be placed in the Museum,
thus replacing one of the exhibits. You will receive
two exhibit sheets: one belonging to the exhibit your
contribution is replacing and a certified copy of your
own stating when your contribution entered the Museum
of Temporary Art. You will be able to view your own
contribution on this website.
¬ ¬
Deadline: None, it's now an ongoing project.
Replace the exhibits and keep the exhibition alive.
For information contact:
info@museum-of-temporary-art.com
http://members.aol.com/aenspace/existential/boredom.htm
Existential Boredom¬¬¬¬
An irregularly published micro anthology of
underground comics, mail art, and etc.
>From the ABSURD to the AVANT-GARDE.
¬
Existential Boredom¬ -issue #1¬ spring 2002¬
28 pages featuring works by: Marc Van Elburg,
Kapreles, Major Dust, Justin Waters, Marcel Herms,
Laura Jane Cooney, Maya Devi, Gary Stevens, and Mark
Price. Now out of print.
¬
Existential Boredom Δμissue #2¬ winter 2002
80 pages featuring works by: Leslie Q, Rael, Clemente
Padin, GX Jupiter Larson, Mary Knott & Beppi,
Karmakumulator, Andrew Octopus, Noise Camp, John M.
Bennett, Wilfried Hou Je Bek, Maya Devi, Gary Stevens,
Sean Sanford, Justin Waters, Laura Jane Cooney, Major
Dust, Kapreles, Marcel Herms, Thumbs McNuggets, Malok,
Ruggero Maggi, Pascal Lenoir, Mark Price, Dan Buck,
Todd Emmert and Marc Van Elburg.¬
Available Dec 1 2002.
¬
Existential Boredom Δμ issue #3 ¬winter / spring 2003
Submissions Welcome for issue #3
mail art, comics, collage, doodles, drawings,
graphics, photography ,found objects, destroyed art,
writing, and etc.
¬
all contributors get copies and free ad space.
¬
SOME GUIDELINES:
¬
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ artwork / ads must be black /
white
¬¬¬¬¬¬¬¬¬¬¬¬¬¬ ¬¬¬¬¬¬¬¬¬no larger than 5.5" X 8.5"
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ hardcopy (on paper) ,CDR, or
email
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ digital images must be atleast
300 dpi
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ .PSD (PC) .PDF .TIF .EPS .BMP
.JPEG
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ include contact information.
¬
Advertising Rates:
¬
full page: 5.25"x8.25"¬ - $30
1/2 page: 5.25"x4.25" - $15
1/2 page: 2.75"x8.25" -$15
¬
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
Deadline for issue #3 : April 1 2003
¬
Send all submissions to:
¬
AEN c/o Gary Stevens
22 S. Mallory St. Hampton, VA 23663-USA
Nada Zero
Marvelous small zine with random publications - made
by artists for artists. Send 25 original works. You
will receive one number for you, with all the others'
original works. There are spaces on the pages for 8x8
cm, but works can also be a little larger or smaller.
In French, but contributions can be in other
languages.
Nada Z?©ro
C/O Christian Alle
R?©sidence Chantereyne
Surcouf n¬?10.
50100 Cherbourg.
http://lauranne.lauranne.free.fr/Nadazero/
this is an open invitation to contribute to
\"Strife\" an assembled magazine
Contributions should be multiples, rubberstamp,
handprinted, painted, collaged, or anything else (use
your imagination). there is no restriction on subject
matter. Every contributor will receive a copy of the
edition in which they appear.
Every page is created in an edition of 30 copies by
the contributors and then joined in one publication.
General guidlines:
Produce your own image in an edition of 30 copies.
Size: 5 1/2 by 8 1/2 inches. 2D or 3D images accepted.
Send all 30 copies to: \"Strife\"¬P.O. Box 6898,
Reading, PA 19610
Please help by distributing this info.
SPARK!
send 10 identical photos of light
(fire, sparklers, fireworks, christmas lights, etc..)
compiled and sent out when 9 are recieved
YES OR NO?
*send 30 (1 inch) squares with the theme of either yes or no
*keep them lightweight
*compiled and sent out with documentation when 24 are recieved
*LAB
send 20 pages
(paint, draw, stamp, collage, etc..)
no photocopies (original photocopy art is ok)
size= 6cm by 4.5cm
name, address and numbered on the back
books made when 15 recieved
all ongoing calls can be mailed to:
dystatic
PO Box 20083
RPO Beverly
Edmonton, AB
Canada
T5W 5E6
http://dork.com/dystatic/
T H E L O V E S H O W
Single video series seeks short explorations into everyone\\\'s favorite feeling: guilty pleasures, obsessions, possessions, intimate confessions, fun and games, revenge, emoticons, Hallmark moments, genuine emotion, desire, disequilibrium.
Leave your genres at the door: performance documentation, experimental, narrative, animation, activist, none of the above.
Press Play is a monthly video series dedicated to bringing national and international video work by emerging and established artists to Pittsburgh, Pennsylvania.
* Deadline: Submissions should be postmarked no later than January 20, 2003
* Submission format: Mini-DV NTSC format is preferred. VHS NTSC format will also be accepted. Please cue tape to the desired point. Include a SASE if you would like your tape returned.
* Length: Works should be no longer than 20 minutes.
* Additional materials: One paragraph biographical statement and one paragraph description of the work.
* Submission and Screening Fees: None
* Awards: None
Submit to:
Press Play
c/o Carnegie Mellon University
College of Fine Arts 300
5000 Forbes Ave
Pittsburgh, PA 15213
Direct questions to: srigg@andrew.cmu.edu
www.press-play.web1000.com
Call for Proposals for Residency Program
18th Street Arts Complex
18th Street Arts Complex is accepting proposals from artists and arts
organizations for three studios which will be available in early Summer
2003. To apply, please download an application for residency at 18th Street
from out web site at www.18thstreet.org in the Program section under
Residency Program.
All applications are due by February 15, 2003.
Terms of residency are three years for individual artists, five years for
organizations. Rents vary depending on need, but are below market rate.
For more information on the residency program at 18th Street, please view
our web site. Please send your applications with supporting materials to:
Residency Program
18th Street Arts Complex
1639 18th Street
Santa Monica, CA 90404
The following studios will be available for new residents.
Studio One - 400 square feet with loft, skylights, water. 16 foot ceilings.
Work studio only, no living. Available July 15.
Studio Two - 550 sqaure foot, double doors, skylights, water, 16 foot
ceilings. Work studio only, no living. Available August 15.
Studio Three - 800 square foot studio, 16 foot high ceilings. Live/work,
with bath, kitchen with stove and refrigerator. Unfurnished. Available July
15.
- - - -
EXPERIENCE OF TIME AND AESTHETICAL PERCEPTION
Adress: Hauspostfach 162 a, 60629 Frankfurt/Main,
Tel.: 069/798-33115 or 069/798-33116 Fax: 069/798-33116
e-mail: zumzeitvertreib@gmx.net
URL: http://www.uni-frankfurt.de/zumzeitvertreib
Speaker: Prof. Dr. Hans-Thies Lehmann,
Prof. Dr. Burkhardt Lindner
Contact person: Anke Zechner e-mail: zechner@em.uni-frankfurt.de
CALL FOR PAPERS
We invite you To Pass the Time: a conference of the post-graduate
programme Experience of Time and Aesthetical Perception in June 2003,
from Thursday the 19th to Sunday the 22nd. The international and
interdisciplinary conference will pass away three days of time
treating this item:
At the first glance pastime seems to serve an urge to escape time; as
a means to escape from a certain perception of time and to negate or
to kill a resisting, a suspended time, a time that stands still. This
time may appear as waiting time or as the expanded time of boredom;
it may break the time flow by enabling the spectres of the past to
assemble as well as by making a projection into a meaningful future
seeming suddenly impossible.
But if one tries to regard pastime in terms of cultural history one
will have to remark immediately that his use fulfils different
functions in each epoque and is valued each time in a completely
different way: then, aspects of the phenomenon pastime may be
illuminated that cannot simply be subordinated under a "negation of
time" - in ancient times, for example, work was considered as
unworthy of a free man and only leisure, the pastime, performed with
dignity, was considered appropriate to him. Watching how this term is
woven into the contemporary cultural context, one is also faced with
the question if the practices of pastime do only signify a lack in
the ability of sensual experience - a lack which should immediately
be faded out through action: Is pastime to be located on the side of
productivity, of efficiency, of measurable time - this is, as
rationalized, socially sanctioned (controlled) form of the rest time
of economy, which is dedicated to the reproduction of labour? Or does
it withdraw itself from such an economy? Can it be positioned beyond
the teleological conceptions of time or is it founded "essentially"
in a completely different understanding of time? Fundamentally, the
question has to be posed if pastime is only driven by a certain urge
to negate time or if it also and at the same time opens up the
possibility of an experience of time completely and positively
different from all kinds of "reified" or objected time, pastime as
playful experience of potentiality or as threshold to a different
quality of experiencing time?
Questions which we ask ourselves and which put into question us! We
want to approach the matter of time not only on a theoretical, but
also a practical approach. That's why not only lectures, but also
performances, performance lectures, time-experimentations and others
idea to pass the time are highly welcomed!
A description of a lecture and/or a project in a length of about 1
page should reach us until the end of January.
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java=Joint Advanced Virtual Affairs)
2003 - "2nd of Java Series"
After the two features
"Current Positions of Italian NetArt"
online since 15 July 2002
and "Current Positions of French Netart"
online since 10 December 2002,
JavaMuseum is planning another feature to
go online in Spring 2003
focussed entirely on netart from
Spain, Portugal and the Latin American countries (including USA-Canada/Latin
origin)
entitled "LatinoNetarte.net"
*Deadline 28 February 2003
All artists living and working in these countries
or originating from one of these countries
who work on net based art
are invited to submit up to three works (URLs):
*************************************************
Please use and fill out this submission form:
Name of artist:
Email:
Nationality:
Short biography (to be published) not more than 300 words:
the art works:
1.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
2.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
3.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
***********************************************************
**Please send the completely filled out form to
latinofeature@javamuseum.org
deadline 28 February 2003