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Univ. of Michigan teaching positions available, Jan 4, 2004 application deadline.

Tenure Track Studio Positions, School of Art and Design
In the fall of 2002, the School of Art & Design launched a new, comprehensive B.F.A. program joining art and design in a single major. In the fall of 2003, the School launched a uniquely restructured M.F.A. program engaging a variety of contemporary intellectual issues. To assist in the development of these programs, the School seeks to hire several highly qualified tenure-track studio faculty.
We are seeking several artists/designers, whose teaching and creative work connect across academic disciplines and explores uncharted territories. In conjunction with these appointments, special consideration will be given to applicants interested in and qualifying for a joint appointment between the School of Art & Design and another academic unit at the University.
Tenure-track faculty teach two courses per semester and are expected to carry out creative work and maintain a public profile with that work. The School encourages and facilitates engagement with the progressive, extensive human and technical resources of the University of Michigan and the community. Individual studio space is provided in the Faculty Studios facility in Ann Arbor. In addition to teaching and creative work, tenure-track faculty are expected to provide service to the School and the University.
All of the School's programs and appointments presume a strong commitment to diversity and inclusiveness by faculty.
Qualifications: Successful candidates will have an advanced degree or equivalent experience. They will also have two years of university-level teaching experience beyond graduate student teaching, and/or an established record of engaging the public through creative work.
Appointment Level: Rank open and commensurate with experience.
Start Date: September 1, 2004
Salary/Benefits: Competitive and commensurate with experience and appointment level.
Application: To include:
Letter of application (two pages maximum)
Curriculum Vitae
Names/addresses/telephone numbers and e-mail addresses of three references
(no letters of recommendation)
Documentation of work: Up to 20 individual images and/or 10 minutes of time-based media of applicant's work and/or documentation appropriate to work (no work of students), electronic dossier preferred
Self-addressed, stamped envelope for return of work
Send to: Tenure-Track Studio Faculty Search Committee
School of Art & Design
University of Michigan Due Date: January 5, 2004
2000 Bonisteel Blvd.
Ann Arbor, MI 48109-2069
The University of Michigan, located in Ann Arbor (40 miles west of Detroit) on the Huron River, is an internationally esteemed public research university comprised of 19 schools and colleges. Enrollment on the Ann Arbor campus totals some 35,000 graduate and undergraduate students. Additional information about the University is available at http://www.umich.edu/.
The School of Art and Design enrolls 600+ undergraduate and 30 graduate students. Over 85 full-time and part-time faculty and 35 administrative and technical staff support the academic programs. Additional information about the School is available at http://www.art-design.umich.edu/.
Ann Arbor has an intellectually and culturally rich community, with a diverse population of over 120,000. Additional information about Ann Arbor is available at http://www.annarbor.org/.
The University of Michigan is a Non-Discriminatory Affirmative Action Employer. Women and minorities are strongly encouraged to apply.

Visiting Studio Faculty Positions
The School of Art & Design is seeking to fill several, fixed-term, two-year positions in its Visiting Faculty Program. This new program promotes the continual flow of fresh ideas and stimulating approaches to creative work throughout our community. Appointments are typically defined within the School, although joint appointments with other units at the university will be considered.
In the fall of 2002, the School of Art & Design launched a new, comprehensive B.F.A. program joining art and design in a single major. In the fall of 2003, the School launched a uniquely restructured M.F.A. program engaging a variety of contemporary intellectual issues. Visiting faculty have important roles in both of these programs.
Visiting faculty teach two courses per semester and are expected to carry out creative work and maintain a public profile with that work. The School encourages and facilitates engagement with the progressive, extensive human and technical resources of the University of Michigan and the community. Individual studio space is provided in the Faculty Studios facility in Ann Arbor. In addition to teaching and creative work, visiting faculty are expected to provide service to the School.
All of the School's programs and appointments presume a strong commitment to diversity and inclusiveness by faculty.
Qualifications: Successful candidates will have an advanced degree or equivalent experience. They will also have university-level teaching experience beyond graduate student teaching, and/or an established record of engaging the public through creative work.
Appointment Level: Rank open and commensurate with experience.
Start Date: September 1, 2004
Salary/Benefits: Competitive and commensurate with experience and appointment level.
Application: To include:
Letter of application (two pages maximum)
Curriculum Vitae
Names/addresses/telephone numbers and e-mail addresses of three references
(no letters of recommendation)
Documentation of work: Up to 20 individual images and/or 10 minutes of time-based media of applicant's work and/or documentation appropriate to work (no work of students), elecronic dossier preferred
Self-addressed, stamped envelope for return of work
Send to: Visiting Studio Faculty Search Committee
School of Art & Design
University of Michigan Due Date: January 5, 2004
2000 Bonisteel Blvd.
Ann Arbor, MI 48109-2069
The University of Michigan, located in Ann Arbor (40 miles west of Detroit) on the Huron River, is an internationally esteemed public research university comprised of 19 schools and colleges. Enrollment on the Ann Arbor campus totals some 35,500 graduate and undergraduate students. Additional information about the University is available at http://www.umich.edu/.
The School of Art and Design enrolls 600+ undergraduate and 30 graduate students. Over 85 full-time and part-time faculty and 35 administrative and technical staff support the academic programs. Additional information about the School is available at http://www.art-design.umich.edu/.
Ann Arbor has an intellectually and culturally rich community, with a diverse population of over 120,000. Additional information about Ann Arbor is available at http://www.annarbor.org/.
The University of Michigan is a Non-Discriminatory Affirmative Action Employer. Women and minorities are strongly encouraged to apply.



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Call for Proposals for Roundtable on Performance Studies and Asian Performance.

CFP: Roundtable on the Intersections of Performance Studies and Asian Performance

The ATHE Performance Studies Focus Group and the Association for Asian Performance are interested in co-sponsoring a roundtable at ATHE 2004 (in Toronto, 29 July-1 August), looking at the relationship between Asian performance and PS. I am currently working with the AAP conference planner for ATHE to put this together. If you would be interested in participating on such a roundtable, please send me your contact information and a brief description of what you feel you would like to contribute.

Josh Abrams
ATHE Performance Studies Focus Group Conference Planner
JAbrams@gc.cuny.edu




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Arts International announces Doris Duke Foundation for Islamic Arts new Islamic World Arts Initiative and Request for Proposals, deadline December 15, 2003

Arts International announces new Islamic World Arts Initiative (IWAI) and Requests Proposals for Consortium Projects, Commissioning Projects, and Residency Projects IWAI is an international, multi-disciplinary arts initiative developed and managed by Arts International with support from the Doris Duke Foundation for Islamic Art

New York, NY. Arts International is pleased to announce The Islamic World Arts Initiative, made possible with generous support from the Doris Duke Foundation for Islamic Art. The Islamic World Arts Initiative (IWAI) is intended to foster mutual understanding and respect between the Islamic World and the United States by engaging artists, scholars, and arts institutions in long-term interchange and collaboration and engaging audiences in both regions in public dialogue.

In addition to fostering partnerships and ongoing relationships, the Initiative is designed both to provide incentive for the exhibition, presentation and touring of the work of artists and scholars of the Islamic world in the United States and to present a diverse range of U.S. work in the Islamic World.

The IWAI will seek to achieve these goals through five key strategies:

grantmaking in support of projects that foster cultural understanding between the Islamic World and the United States;

a survey of academic resources for Islamic art and culture to inform the development of a comprehensive, searchable resource base;

team travel with U.S. arts presenters, managers, scholars and writers interested in developing knowledge of and long-term connections with the Islamic World;

Not at East Global Salon series at Arts International, comprising public events focused particularly on the Islamic World and its contemporary cultural dislocations; and

residencies & symposia at Shangri La, Doris Duke's former residence in Hawaii and the home of her personal collection of Islamic art and furnishings.

Call for Proposals:

The IWAI will provide grants in support of projects that foster cultural understanding between the Islamic World and the United States. The Initiative is grounded in the belief that through the exchange of art and artists and the development of related opportunities for dialogue and learning, lasting bridges between cultures can be built and sustained.
For the purposes of this Initiative, the Islamic World is defined as including 56 countries with predominantly Muslim populations, not only in the Middle East, but also in Asia and Africa, and the community of artists and scholars born in these countries who now live elsewhere in the world. A complete country list is available on the IWAI website: http://www.artsinternational.org/projects/islamic_world/islamic_call.htm
Grants will be made to artists, scholars, and arts organizations in support of presentations, exhibitions, symposia, creation of new work, and collaborative projects in the areas of contemporary performing, literary, media and visual arts. Grants will be made in two rounds.
Round I Deadline for Applications: December 15, 2003
This round is for projects taking place between March 31, 2004 and September 30, 2005. Applications are currently being accepted for Round I, for the following projects:

Commissioning Projects (Click on link to view guidelines and application)
Open to individual artists and artist organizations

Consortium Projects (Click on link to view guidelines and application) Open to organizations

Residency Projects (Click on link to view guidelines and application) Open to scholars and organizations

For complete program information, eligibility requirements, guidelines and application forms, please visit our website or click on the link below:
http://www.artsinternational.org/projects/islamic_world/islamic_call.htm
About Arts International
Arts International is an independent, not-for-profit contemporary arts organization dedicated to the development and support of global cultural interchange in the arts and to educating audiences and the public about the richness and diversity of the arts worldwide.

Arts International works in three primary areas: development of Advised Funds and Regranting Programs that provide support to artists and arts organizations engaged in international work; creation of Projects & Partnerships that help to identify, develop, and circulate new work crossing borders worldwide; use of Information Services to share information, reach new audiences, educate and serve the public, and create connections among artists and cultural organizers around the world. It is headquartered in New York City.

About the Doris Duke Foundation for Islamic Art
Funding for Arts International's Islamic World Arts Initiative is provided by the Doris Duke Foundation for Islamic Art (DDFIA), which seeks to promote the study and understanding of Islamic art and culture. The DDFIA is an operating foundation that is supported by the Doris Duke Charitable Foundation (www.ddcf.org).



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Canadian festival of performance and time-based art seeks artists' proposals, deadline, October 25, 2003

Submit for the Upcoming Visualeyez 2004, a festival of performance and time-based art. Visualeyez, the only annual performance art festival in Canada, is seeking submissions for the fifth annual festival (20 - 29 May 2004) and will be presented in/at various sites throughout Edmonton. Produced by Latitude 53, Visualeyez has evolved into a festival that allows artists from diverse places and strategies to network and share creative activities with each other while presenting performance based work to public audiences in a variety of approaches.

The curatorial theme will concentrate upon the constructs of Time. Are our lives controlled by the passing of time; how does time influence how we live our lives and how we navigate the choices in our daily routines; is it a passive or active influence in our daily lives? Is the pace of society and industry a factor in how we live our lives as individuals? Does technology really free up our time? Do we assign time value according to quality? Or, rather, how do we individually measure time? How does performance work as a temporal medium exist beyond the moment?

Send proposals to:
Todd Janes, Curator
Visualeyez 2004
c/o/ Latitude 53 Contemporary Visual Culture
10248 - 106 Street
Edmonton, Alberta
Canada
T5J 1H5

Phone: 780.423.5353

Proposals should include:
A detailed project description and description of the work to be presented;
Artistic statement and how you work relates to the curatorial theme;
Curriculum vitae and Biography;
Documentation of previous or current work: slides, tapes ? mini-dv or vhs, or dvd;
Complete technical requirements and other assistance;
Return Postage (If you want anything back)
Deadline for submissions: 25 October 2003
Questions: visualeyez@latitude53.org or 780.423.5353


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Employment Opportunity: Faculty Position in Experimental Documentary, Department of American Studies And Program in Technocultural Studies, Division of Humanities, Arts and Cultural Studies
APPLICATIONS DUE: 1st December
University of California, Davis
USA

The Department of American Studies and the Program in Technocultural Studies of the University of California at Davis have a tenure-track/tenured position available for a faculty member with expertise in the production and study of Experimental Documentary, to start in Fall 2004.

The rank is at the Assistant Professor or beginning Associate Professor level. Applicants should have a proven track record in experimental documentary production, exhibition and distribution in any media, as well as demonstrable research interests in the history and theory of documentary. The appointee must be capable of teaching at both the undergraduate and graduate levels, and of addressing topics in a truly transdisciplinary setting based in the fine and performing arts, literature and cultural studies, including topics relating the scientific and technological disciplines. A Masters degree and professional experience is required, while a PhD and teaching experience at the university level are preferred. Applicants must demonstrate the ability and willingness to work in setting which emphasizes the interplay among scholarly, creative and cultural production, and among artistic, critical and technological concerns.

Please send a letter of application, curriculum vitae, examples of creative and scholarly works, and the names, street addresses, telephone numbers, e-mail addresses, of four people from whom letters of reference may be requested (please do not request recommendations with initial application), and, if you wish materials returned, a self-addressed stamped envelope to:

Professor Douglas Kahn
Search Committee Chair for Experimental Documentary Position
Program in Technocultural Studies
University of California
One Shields Avenue
Davis, CA 95616-8528

For information about the position, visit:

ONLINE: http://technoculture.ucdavis.edu


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CALL FOR ENTRIES: St Kilda Film Festival

St Kilda Film Festival attracts entries from around the country for a
bumper festival of screenings by the bay over summer. The festival's
annual callout for entries is now on - if you're making fiction,
documentary, animation, experimental, or any genre of film, so long as
it's short - they're looking for you now! If you're making music
videos, there's also a competition for you in the SoundKILDA Music Video
prize.

Find out more at www.stkildafilmfestival.com.au


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CALL FOR ENTRIES: Cromwell's Art Prize Ltd
Closing Date: December 2003

Announcing the inaugural Cromwell's Art Prize 2004: Major Prize $45,000,
Viewer's Choice Prize $5,000.

To find out more email d.rex-livingston@cromwells.com.au



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CALL FOR PROPOSALS: Exhibitions, Workshops and Artist in Residence -
Glenorchy Council.
Deadline: Friday 31 October 2003.

Each year we invite ideas & proposals for our concert series,
exhibitions, workshops & artist in residence program from anyone
interested in undertaking a project in any art form as part of our
annual program.

Find out more at http://www.gcc.tas.gov.au



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CALL FOR PAPERS: Rethinking the Amateur
Deadline: 1 December 2003

Recent technological developments have closed the gap between consumer
and professional media technologies in a fashion heretofore never
experienced in the history of modern civilization. Access to such
technologies, though not universal by any means, is certainly improved
in comparison with past eras (early amateur film culture, for example,
was distinctly an upper middle class pursuit requiring extensive capital
investment), leading to the fact that more individuals now stand to be
media producers than ever before. In fact, media production is
increasingly becoming a normalized part of daily existence. What does
all this mean, then, for traditional conceptions of the amateur.

To find out more email bfox@usc.edu



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CALL FOR PROPOSALS: SIGGRAPH 2004

ACM SIGGRAPH announced SIGGRAPH 2004, the 31st International Conference
on Computer Graphics and Interactive Techniques, 8 - 12 August in Los
Angeles. Looking for both first-time and veteran contributors in three
areas: presentations, experiences, and services. The presentations are
Courses, Educators Program, Panel & Special Sessions, Posters, Papers,
Sketches, and Web Graphics. The experiences are Art Gallery:
Synaesthesia, Computer Animation Festival, and Emerging Technologies.
The call also seeks volunteers and support for service areas:
GraphicsNet, International Resources, and Student Opportunities.

Find out more at http://www.siggraph.org/s2004/cfp/.



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CALL FOR ENTRIES: rebel: art

connecting art and activism a german eZine about art and activism
looking for collaborators now we¥re planning to create an international
print-issue (in german and english) with cd - if there are some guys¥n
girls out there who would like to work with us - hey, you¥re welcome.
We¥re a collective of students, artists and activists and this is a
non-commercial project - so, if you¥re interested email.

Find out more at http://www.rebelart.net



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CALL FOR ENTRIES: Linden Postcard Show 2004
Deadline: 8 December 2003-10-10

The Linden Postcard Show is an open entry award exhibition featuring
small format contemporary work. The exhibition, which is part of the St
Kilda Festival, has become a prominent event in the Melbourne cultural
calendar and attracts thousands of visitors.

Find out more at www.lindenarts.org


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BEAPWORKS: Grants for electronic art projects
APPLICATIONS DUE: 12th December
Perth

Through funding from ArtsWA, the Biennale of Electronic Arts Perth (BEAP) will facilitate: BEAPWORKS, the creation and production of electronic and biological art works by Western Australian artists.

Grants of up to $10,000 will be available for adventurous new art projects that utilise emerging technologies in the area of Time based Media, Broadband, and Screen based work.

Applicants should base their projects within BEAP2004's thematic scope of SameDifference focusing on:sonic, bio, data, perceptual and distributed differences.

For more information on submitting an application for BEAPWORKS 2004 go to:

ONLINE: http://www.beap.org




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San Diego, USA
TEKNIKA RADICA
Powering Up/Powering Down
CALL FOR ARTWORK, PERFORMANCES, INSTALLATIONS for a festival/colloquium/opera of radical arts technologies.
TEKNIKA RADICA is now accepting proposals for an interdisciplinary colloquium investigating arts technologies and received histories. Powering Up/Powering Down will take place on the campus of UC San Diego and surrounding venues in San Diego and Tijuana. For 3 days artists, musicians, writers and scholars of diverse backgrounds will collaborate on a living laboratory-opera through their individual contributions and the exchanges they ignite.
Contributors include Maryanne Amacher, Ron Athey, Sharon Daniel, Johanna Fateman (Le Tigre), DJ Kuttin Kandi, George Lipsitz, Los Cybrids, Lisa Nakamura, Pauline Oliveros, Pat Payne, and T. Kim-Trang Tran, among many more.

Powering Up/Powering Down

Powering Up: As artists and thinkers whose creative work and discourse are made possible by technologies (digital, analog, bodily, systematic), we believe it is imperative to think critically about the social implications of the ways in which we use these tools. We are accustomed to thinking critically about the social implications embedded in the resultant art- and thought-works, but we do not often interrogate our work from the perspective of the material culture that enables, and to a greater or lesser extent, determines it. Howard Becker's notion of artworlds brings the complex of factors that combine to produce an artwork into play.

We examine technological factors in the arts because 'technology' is our most pervasive 21st-century metaphor; because the tools we use add their own dimensions to our artworks; and because, while we shape our tools as needed, they also shape us.

Hacking In: "In the micro-particles created by the non-linear relation and friction between needle and vinyl lounges the cyborg." Our investigation must include the indissolubly double nature of the denizens of the cyborg world, the symbiosis of haves and have-nots. All "users" are not created equal. Who are we as cyborgs, as technologically-enhanced and -shaped beings? How has the explosion of tech use in the arts affected creative work and artistic output? Do technologies blur boundaries between "art" and other kinds of work? Who are the "others" existing outside this technically-enhanced world, and why have we/they been left behind? What is the relation of the technological "black box" to gender, race, sexual orientation and economic status? Do different people(s) conceive or use technologies in different ways? Is technological art able to point to ways in which technologies may be used creatively to address or subvert traditional power hierarchies?

Planting the Virus: Teknika Radica is engineering/choreographing/directing a 3-day series of concerts, exhibitions, panels and workshops in San Diego, titled Powering Up/Powering Down. Within this living laboratory, scholars and artists will interactively explore critical and creative responses to issues of inclusion, interface and identity in arts technologies. We are especially interested in uses of technology, which challenge conceptual polarities and implicit power hierarchies such as white/racialized, male/female, high/low culture and machine/body; which analyze social identities; and which circumvent structural limitations on access to knowledge and equipment.

We invite you to propose your presentations, performances, installations/objects, and workshops that challenge conceptual polarities (white/racialized, male/female, high/low tech, machine/body) and that outwit limitations on access to knowledge, resources and equipment. We welcome performances and objects/installations in any medium or combination of media, as well as scholarly papers, panel proposals, workshops and skill-shares.

Proposals should do one or a combination of the following:

* Critically and creatively respond to issues of interface and identity in arts technologies;

* Challenge traditional conceptual polarities (white/racialized, male/female, high/low tech, machine/body);

* Address structural limitations on access to knowledge and equipment (class-based, race-based, gender-based);

* Make use of appropriated technology:
alternative uses and creative alterations of standard technologies.

Please submit proposals by November 14, 2003. The abstract should give a working title and clearly indicate its relevance to the colloquium theme.

* If proposing a paper or workshop, the abstract should be no longer than 250 words.

* If proposing media, examples should not exceed 5 minutes and be accompanied with an abstract no longer than 150 words.

* Please include a cover sheet with your name, affiliation (if any), address, email address and phone number. If proposing a panel, please give pertinent information for all participants in the panel.
Selections will be announced by November 30, 2003.

TEKNIKA RADICA is a coalition of artists, writers, scholars and musicians promoting radical engagement with technology in the arts. We curate events that examine the ways in which we think about and use technology, specifically how race, gender, sexuality and class may be organized, encoded - or subverted - in relation to social power and access to resources.

For more information, please contact Juliana Snapper.
Rok prijave: 14/11/03
 
Kontakt:
Center for Research in Computing and the Arts (CRCA), University of California
TEKNIKA RADICA
9500 Gilman Ave. Dr. 0037
CA 92102-0037 La Jolla
USA
juliana@teknikaradica.org


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Innsbruck, Austria
Kuenstlerhaus Buechsenhausen
buchsenhausen.air programme
visual and new media artists can now apply for a residency in 2004
kuenstlerhaus buechsenhausen is an international centre for artistic production, theoretical reflection and information exchange between artists. the art centre is situated in innsbruck/austria, in the buchsenhausen castle, a building complex dating back to the middle of the 16th century.

in the framework of the /buchsenhausen.air/ programme every year up to 12 international visual and new media artists are coming to innsbruck for a period between 3 and 6 months. the residency at kuenstlerhaus buechsenhausen allows artists to work on a concrete project but also gives them the possibility to experiment and to reconsider their current artistic practice. further, they have the opportunity to get know each other's work, to exchange ideas and plans and also to jointly realize projects. regulary, there are 3 international residents and 8 innsbruck based artists working in the kuenstlerhaus at the same time.

benefits:
+ individual studio for working and living of 33 or 50 square meters in size with a big shared kitchen.
+ free use of the available multimedia production tools in /buchsenhausen.labor/, a production and presentation space designed by atelier van lieshout: macintosh g4 computers equipped with software for design work, image and video editing, dvd authoring, dv camera, digital photo-camera, dsl internet access.
+ introduction to the visual arts scene in innsbruck including meetings with artists and curators.
+ /buchsenhausen.labor/ may offer additional financial support related to the production of the work, depending on ist respective budget situation and on the specific nature of the project proposal.
+ /buchsenhausen.air/ may also offer direct financial support to the artists through co-operations with international funding institutions.
Rok prijave: 07/11/03
 
Kontakt:
Kuenstlerhaus Buechsenhausen
andrei siclodi, air-programme curator
Weiherburggasse 13/12
6020 Innsbruck
Austria
office@buchsenhausen.at
http://buchsenhausen.at



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Call for papers

CROSSING BORDERS
images of immigration in European film

Department of Languages
Manchester Metropolitan University
15th - 16th September 2004

In the last decade, whilst many governments have turned a blind eye to =
immigration issues in Europe, filmmakers have become increasingly =
interested in exploring the migrant experience. Crossing Borders aims =
to explore the cinematic representation of these issues in films made =
within the last five years and to interpret the images and the =
narratives of the lives of the persons at the heart of this subject.

Papers on the following themes are particularly welcome:

* Cultural and national identities;
* Deterritorialisation;
* Representational continuity/discontinuity
* Tradition versus modernity;
* Gender aspects of immigration;
* Formal representational practices and issues of border crossings
* Representations of crime and illegality;
* Integration and alienation;
* The experiences of second and third generations

Proposals for twenty minute papers, to be delivered in English, should =
be submitted in the form of a 300 word abstract by the 30th January, =
2004. It is hoped that selected essays will be published in a refereed =
monograph.

In association with the conference, a Crossing Borders film festival =
will be running at the Cornerhouse Cinema in Manchester during autumn =
2004.

The festival and conference have the support of the Instituto Cervantes, =
Goethe Institut, Delegation Culturelle Fran=E7aise and the Italian =
Consulate.

Please address any correspondence as follows:
Organisation and general enquiries: Prof. David Corkill =
d.corkill@mmu.ac.uk
French Cinema: Dr Isabelle Vanderschelden i.vanderschelden@mmu.ac.uk
Italian Cinema: Dott. Laura Leonardo l.leonardo@mmu.ac.uk
Spanish Cinema: Dr. Carmen Herrero c.herrero@mmu.ac.uk

Further information and updates will be available on the Conference =
website at www.mmu.ac.uk/crossingborders




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