Subject:
calls x 25 pt 2
Message:
DECEMBER 15 DEADLINE FOR Arthouse’S (formerly Texas Fine Arts Association) New American Talent: The Nineteenth Exhibition, A national all-media exhibition on view June through August 2004.
Juror: Jerry Saltz, Senior Art Critic, The Village Voice, New York
For an entry form please contact nat@arthousetexas.org or log onto www.arthousetexas.org
For more information please call 512.453.5312.
Calendar
December 14, 2003ÊÊÊ Slides, fee, entry form, notification card and SASE due.
February 2004ÊÊÊÊÊÊÊÊÊÊÊ Notification mailed.
April 2004ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Works due for personal inspections by juror.
June - August 2004ÊÊÊÊ Exhibition on view at the Jones Center
The exhibition will tour to venues in Texas from summer 2004 through summer 2006 as part of Arthouse's Art On Tour Program.
Arthouse
Jones Center
700 Congress Avenue
Austin, Texas 78701
512.453.5312
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January 31, 2004 Deadline FOR Marie Walsh Sharpe Art Foundation SPACE GRANT
Visual artists 21 and over are invited to submit proposals for FREE Studio Spaces. Applicants must be U.S. citizens or permanent U.S. Residents, and not in school at the time of residency. The 14 studios are non-living spaces for the making of new works of art. There is no stipend or equipment provided. Juried by a panel of artists. Studios are available beginning Sept. 1, 2004 for periods of up to one year. Artists who presently have a studio larger than 400 sq. ft. in New York City are not eligible.
Proposals should include (there is no application form):Ê
1.Ê 8 slides (35mm) of recent work. (NO GLASS SLIDES). On slides write - slide#, name & show top of work with arrow. Or, if needed to portray art work (installations), a video (3 minutes or less).Ê
2.ÊÊÊ An annotated slide list: slide#, title, size, medium, date of work. Or, for video, a brief paragraph describing work, include date of work.
3.ÊÊ A resum/
4.ÊÊ A concise statement (no more than 1 page) indicating why studio space is needed.Ê
5.ÊÊ Specify desired starting date (after Sept. 1, 2004) and length of stay (up to one year).Ê
6.ÊÊ A self-addressed, stamped envelope for returning slides.
Postmark Deadline -- January 31, 2004 All applications will be notified by the end of April, 2004.Ê
Send Proposals to: The Space Program
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ ÊÊÊÊÊ The Marie Walsh Sharpe Art FoundationÊ
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Ê 830 North Tejon Street, Suite 120
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ Colorado Springs, CO 80903
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ (719) 635-3220
ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ www.sharpeartfdn.org
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FEBRUARY 1, 2004 DEADLINE FOR THE GREENWALL FOUNDATION GRANT
The Greenwall Foundation makes philanthropic grants to support work in two program areas: bioethics and arts and humanities. Innovation and creativity in the visual, performing, literary, and media arts receive special Foundation attention. The Greenwall Foundation is interested in supporting New York City’s cultural life and encourages requests from local arts groups and institutions. The Foundation is particularly interested in emerging artists and the development of new artistic work. Grants are not made for arts education projects.
The Greenwall Foundation has neither a printed application form nor a formal proposal outline. Requests for support should include:
· a program description identifying the objectives and how these objectives will be attained
· a summary budget (expense and income), specifying the amount requested from The Greenwall Foundation
· a statement of the qualifications of the artists
· a copy of the sponsoring institution’s annual report (with basic financial data)
· a tax exemption determination letter from the IRS
· other relevant material;
do not send work samples unless requested
Proposal deadlines are:
February 1 for the spring grant cycle
August 1 for the autumn grant cycle
The Greenwall Foundation
2 Park Avenue
New York, NY 10016
Tel: 212-679-7266
Fax: 212-679-7269
Email: admin@greenwall.org
Website: www.greenwall.org
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MARCH 15, 2003 DEADLINE (Inquiry Form) FOR CREATIVE CAPITAL GRANT IN VISUAL ARTS AND FILM/VIDEO
Creative Capital <http://www.creative-capital.org/>, a New York City-based nonprofit organization, supports artists who pursue innovation in form and/or content in the performing and visual arts, film and video and emerging fields. The organization works in partnership with its recipient artists, providing advisory services and professional development assistance along with multifaceted financial aid and promotional support.
For the 2004-05 grant round, Creative Capital will be awarding grants to individual artists in the fields of Visual Arts and Film/Video. Visual arts may include painting, sculpture, works on paper, installation, photo-based work, contemporary crafts, and interdisciplinary projects. Film/video arts are all forms of film and video, including experimental documentary, animation, experimental media, non-traditional narrative in all formats, and interdisciplinary projects.
The organization has also announced a new application process this year. To apply, artists must first complete an inquiry form, which will be available on the Creative Capital Web site on February 16, 2004. The deadline for completed inquiry forms will be March 15, 2004. Those invited to make a final application will be notified in June 2004. Artists planning on submitting an inquiry form for Visual Arts or Film/Video in 2004 are strongly urged to complete the forms online. Those wishing to receive a copy of the form in the mail must send a self-addressed stamped envelope to Creative Capital before March 1, 2004. (Performing Arts and Emerging Fields will be eligible to submit inquiry forms in 2005.)
See the Creative Capital Web site for further details and for updates on its grantmaking process.
Link to RFP <http://www.creative-capital.org/>
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Bronfman Centre for the Arts, Montreal, seeks music video makers, Nov. 17 deadline.
The Liane and Danny Taran Gallery of the Saidye Bronfman Centre for the Arts in Montreal is seeking submissions of Œdo it yourself‚ music video making. Please forward this call to any friends, family or members that may be interested or disseminate it in any way possible.
We want your music videos! Are you an amateur music maker? Are you proficient with your video camera? You want to be a star? It‚s time you combined your talents.
In the context of VIDÉO HÉRO[E]S, an exhibition on the influence of music videos in the visual arts, the Gallery of the Saidye Bronfman Centre for the Arts will display all received tapes for public consultation. Simply mail us your videotapes with your name and the video‚s title, and take your place in the spotlight.
Mail your works
(VHS format only, and no originals; the submitted tapes will be kept as a collection and therefore will not be returned):
VIDEO CALL, c/o Liane and Danny Taran Gallery
Saidye Bronfman Centre for the Arts
5170 Côte-Ste-Catherine Road, Montréal, Québec, H3W 1M7
Submission deadline: November 17
Info 739-2301 x 339
For further details about the Gallery go to http://www.saidyebronfman.org/
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Call for Mail Art submissions, November 17 deadline
Mail Art Call For Submissions
Title: Signed Sealed Delivered: Fact And Fiction
Theme: Fact And Fiction
Deadline: Mail Must Arrive On Or Before November 17, 2003
Exhibition Dates: November 17 - 22, 2003
What is Mail Art? Mail Art is a celebration of non-hierarchical art forms. Anyone is invited to create an artwork that can be sent through the regular postal system. This artwork can take the shape of collage, rubber stamps, prints, poems, appropriated images – you name it! Normally the art would be exchanged between two individuals through the post, but exhibitions have periodically been organized to promote, display and educate individuals about this exciting art phenomenon!
Signed Sealed Delivered: Fact and Fiction is a Mail Art exhibition that will be facilitated by artist Tammy McGrath and displayed in the Fifth Parallel Gallery at the University of Regina. The theme Fact and Fiction is in response to the hundreds (and perhaps thousands) of artists that use pseudonyms and AKAs within their art practice. "The artist, mail or not, is a microcosm of larger social functions. That is, the artist is not only the doer and maker, or romanticised idea person, but is also his or her own producer, fund raiser, labourer, shipper and receiver, records keeper, salesperson, marketing and publications person…The most common type of a.k.a. on the network is the personal identification or mail art alter ego."1 Artists are invited to interpret the theme Fact and Fiction in any way they see fit. All of the Mail Art will be catalogued, documented and presented within the gallery space. Every effort will be made to ensure that ALL of the art is hung. In the event that we receive more Mail Art than the gallery walls can hold, the remaining works will be placed in binders that will available to the public and placed in the gallery space. In keeping with the philosophy of non-hierarchical art forms and correspondence art in particular, the Mail Art will then be re-sent to the participants (so your Mail Art that you sent us will be sent to someone else – and you will receive another Mail Art piece produced by someone in the exhibition in exchange). Please note that I will be working with a very limited budget – so it could take up to one year after the exhibition to receive your mail art gift after the exhibition is dismantled. There will be a closing reception November 22, 2003 at the Fifth Parallel Gallery where an Artist Trading Card (ATC) session will also take place. Artists are invited to bring their miniature works of art to trade! Artist Don Mabie a.k.a. Chuck Stake will be visiting Regina from Calgary.
For more information please email: Tammy McGrath at:
PLEASE SEND YOUR MAIL ART TO:
Visual Art Department,
ATTENTION: Tammy McGrath,
RC 247 University of Regina,
Regina SK S4S 0A2
Canada
Keep in mind - make sure your writing is legible! If I cannot read your return address I will be unable to send you one of the Mail Art pieces.
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Sculpture Space, Ithaca, call for applications for artist residencies, deadline Dec. 1, 2003
SCULPTURE SPACE
12 Gates Street
Utica, NY 13502
Phone: 315-724-8381 fax: 315-797-6639
email: info@sculpturespace.org
www.sculpturespace.org
INFORMATION FOR ARTISTS
Next Application Deadline:
December 1, 2003
Funded Residencies: Twenty new artists are selected each year and all receive a $2000 stipend to help pay their residency expenses. The selection is made by the Sculpture Space Review Committee and a rotating guest panelist in mid- December. Artists are notified in January of the panel's decision. Primary criteria are quality, originality, and potential for growth. The postmark deadline for application is December 1st of each year. In exchange for time spent at Sculpture Space, artists are asked to help promote the organization by acknowledging Sculpture Space when the work that they make here is exhibited or published, and provide good slides of their work for our grant applications.
Application Requirements: There is no application form!
Applications should consist of:
l. No more than ten (10) labeled slides numbered 1-10
2.The name, address and phone number of 2-3 references
3. 6 copies of a slide script with title, date, dimensions, and medium.
4. 6 copies of a brief (half page) Project Description and/or artist's statement
5. 6 copies of a one-page resume.
6. A Self-Addressed Stamped Envelope (SASE) for return of slides. If you are an international applicant please submit 5 international mail coupons for return of slides.
Include a self addressed stamped postcard if you would like confirmation of the receipt of your application package. Please put your name and address on all materials submitted. Applicants will be notified of the panel's decision in January. Please call if you have any additional questions. Information is also available on our website, www.sculpturespace.org.
The Residency: Artists are expected to stay for a full 2-month work stay and are given a key to the studio with access to the facility 24 hours a day, seven days a week. The Studio Manager assists with an introductory orientation, acts as a liaison with suppliers, and advises on technical problems by request. Artists are responsible for their own materials, specialized tools, fees for work done outside the premises, and for an assistant should they require one. We are able to help artists keep their expenses to a minimum but residents generally spend on average $1000 per month. Sculpture Space can accommodate a great variety of projects both in terms of materials and scale, and we will discuss each case individually. For the sake of safety a working knowledge of English is highly recommended. A personal visit is welcome and encouraged. Please call to make an appointment.
About Sculpture Space
Sculpture Space is unique in North America for its service to sculptors and the individual support given to artists who come to Utica, NY to make new work. The program currently selects 20 artists per year for two-month residencies and has helped advance the careers of over 300 national and international artists since1976. Artists-in-residence are provided with the space, equipment, technical assistance, and specialized resources available in the Mohawk Valley to make sculpture on a scale which they otherwise might not afford and in an environment conducive to experimentation. The public is invited to quarterly work-in-progress receptions at the end of a residency period. The work that is made and first seen in Utica is often exhibited in galleries, museums and sculpture parks worldwide.
Housing: A subsidized three-bedroom apartment is available at low cost to artists within walking distance of the studio. Food is the artists’ responsibility and there is a fully equipped kitchen in both the apartment and studio. No pets are allowed in the studio or the artists’ apartment.
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. SUNY Buffalo seeks independent film artist for tenure track position.
Roy Roussel
Chair, Department of Media Study
Department of Media Study
University at Buffalo
State University of New York
Film: Assistant professor/tenure track position for fall, 2004. We are looking for an independent film artist to define the department‚s film program. This person should have substantial experience as an independent filmmaker, ideally including both analog and digital technologies. Creative excellence is the most important criterion, however, and we invite application from artists working in any of the many areas currently covered by the term `film‚ including (but not limited to) independent, experimental, narrative and documentary. This person will teach undergraduate and graduate courses in history, theory and analysis as well as undergraduate and graduate film production. She/he should have a through knowledge of the historical and theoretical discourses that surround his/her practice. He/She should also have a comprehensive commitment to the social role of media and an engagement in contemporary media arts as well as a strong exhibition record. Faculty in Media Study conduct research and teach a 2/2/ load in a program that includes critical studies in media theory, film, video and digital (including net-based art, digital poetics, robotics and VR) with strong ties to Architecture, Art, Anthropology, American Studies and the Poetics Program in UB‚s English Department. MFA or the equivalent preferred.
For more details consult our website at: http://mediastudy.buffalo.edu
The University at Buffalo is an Affirmative Action/Equal Opportunity employer and we actively encourage applications by women, minorities and professionals with disabilities (qualified applicants with a disability may request a needed reasonable accommodation to participate in the application process). NO person in whatever relationship to the University of Buffalo State University of New York shall be subject to discrimination on the basis of age, creed, color, disability, national origin, race, religion, ethnicity, sex, sexual orientation, marital or veteran status.
We prefer applications received by February 1 but the position will remain open until filled. Send a letter of application, work sample (accompanied by SASE), and CV including the names of 3 references to:
Chair, Film Search committee
Department of Media Study
231 Center for the Arts
University at Buffalo
Buffalo, NY 14260-6020
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from artservis:
Rotterdam, The Netherlands
laurie halsey brown
architect-in-residence project: Designing a Squat:based in Rotterdam, NL
The artist-in-residence period is a year and includes free rent, beginning Jan 2004.
http://www.movinginplace.net/designingasquat/
This architect-in-residence project is part of a larger project that looks at historical and contemporary perspectives on adaptive re-use philosophies and squatting, specific to the Netherlands. The architect-in-residence will be able to develop a raw social housing apartment according to their own design and have this space to live in rent-free for one year in exchange for renovating the space and having their work documented and sent out internationally. The architect-in-residence pays no rent but pays for renovation costs [except plumbing/toilet] + utlilities [except water]. The focus is on developing and improving the concept of social housing; specifically creating a better designed, more 'livable' social housing space as well as re-creating the concept of what a 'squat' is. The architect-in-residence must live-in the space as its being developed and keep a log of their progress. Their development will also be documented as part of a larger project via photos, video and put online. On Jan. 2005, the space will be given to another architect-in-residence or architectural group.
Applications must be e-mailed by November 15, 2003 to vidlounge at aol.com and must include: +name etc. +CV +a paragraph on why this project is of interest to you those short-listed will be asked to submit a short plan as to their intentions based on seeing the architectural plans, photos and video of the site.
Rok prijave: 15/11/03
Kontakt:
laurie halsey brown studio
vierambachtsstraat 64 A
A 3023 rotterdam
tel: 06.1426.2961
vidlounge@aol.com
http://www.movinginplace.net/beingthereinfo/
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Dresden, Germany
Datum dogodka: 13. - 18. April 2004
Filmfest Dresden
an independent film festival with international and national competition categories as well as supporting events
The following film productions are eligible for submission to the competitions:
- length 30 minutes maximum
- date of production after 31. December 2001
- short fiction or animated film.
Films wich do not meet these criteria are welcome as entries for the special programmes.
The festival has no restrictions in terms of content and is open to all themes, cinematic techniques and methods.
The following screening formats may be submitted: 35 mm, 16 mm, Hi-8 (please send S-VHS for screening purposes); Betacam-SP, S-VHS, DV. To apply for the competitions, we only accept VHS copies of the film.
You are welcome to submit your film for 16th Filmfest Dresden 2004 using the online application form
Rok prijave: 15/01/03
Kontakt:
Filmfest Dresden
Claudia Engel, info office
Alaunstrasse 62
01099 Dresden
Germany
tel: +49.351.8 29 47 0
fax: +49.351.8 29 47 19
Filmfest Dresden
www.filmfest-dresden.de
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Marseilles, France
P'Silo
Images Contre Nature, International Festival of Experimental Video
The subject of the festival is to screen the latest research on the experimental video and to build up a videotheque.
The P'Silo association is glad to present you the International Festival of Experimental Video, Images Contre Nature, which will take place in Marseilles (France).
AESTHETIC CRITERIA
What do we consider as an experimental video ?
What makes it’s approach special ?
Certainly an other way to use the video-material.
To give more importance to the nature of the vanishing image than to the content.
To forget all referencies to the subject and work on how the machine itself works, up to a deregulation of that machine in order to create a new kind of perception, feeling and sensibility.
To catch, touch the body on a another level us usually shown on the symbolic, esthetic or social criteria, by getting into the body itself within a pleasure of the organ.
A work on the ondulatory movement or on the pixels, on the light, the colors, the rythms, composition and destruction of spaces, disfonctions of images and sounds in order to reach the largest pleasure of the senses.
The ways of the electron-transfigurations are plenty.
More on the website.
Rok prijave: 01/02/04
Kontakt:
P'Silo
B.P. 11
13243 Marseille Cedex 1
France
tel: 33 4 91 42 21 75
icn@p-silo.org
http://www.p-silo.org