Subject:
  calls x 72 pt 1

Message:
Hello Folks,

Sorry for the 4 week silence. For the next bit I will be aiming to send the calls out every other week.

Here are the calls,

Michael


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Job/Internship Opportunities

DIRECTOR, MUSEUM OF ART
P1496
Salary: dependent upon qualifications
Regular, full-time, 12-month position.
Pomona College is seeking applicants for the Sarah Rempel and Herbert S.
Rempel '23 Director of its Museum of Art. The College seeks an experienced,
creative, and energetic individual who will lead the Museum in a period of
dynamic growth and effectively articulate its mission and programs. Pomona's
Museum houses a diverse permanent collection of approximately 8,000 objects
with several areas of particular strength: 16th-20th-century European and
Lebrun; and pre-Columbian to 20th-century Native American art. The director
will have the opportunity to teach and will collaboAmerican prints and drawings; preparatory drawings for murals by Orozco and
rate with faculty and
students on exhibitions and internships in the Museum. The successful
candidate should have a Ph.D. in art history or an equivalent scholarly
degree; significant museum experience; demonstrated leadership ability; and
excellent speaking and writing skills. The director reports to the Vice
President and Dean of the College; faculty status and privileges will be
negotiated. Salary is commensurate with experience and qualifications. To be
assured of consideration, please send a letter of application, curriculum
vitae, and the letters of at least three references by January 15th , 2004
to: Museum of Art Search Committee, Office of the Dean of the College,
Pomona College, 550 North College Avenue, Claremont, California 91711.
Pomona College is a highly selective, coeducational liberal arts college
located 35 miles east of Los Angeles. Committed to increasing excellence
through diversity, Pomona College welcomes applications from women and
members of underrepresented groups.






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IDYLLWILD ARTS FOUNDATION SUMMER PROGRAM INTERNIntern/Extern

Number Date Type Wage
102357552 11/06/2003 Intern/Extern $200-$500 per week

Start Openings Location Hours
June '04 50 Idyllwild, CA 5-6 days a week for 9-10 weeks

Company Description
Idyllwild Arts is a private, fully accredited independent school,
incorporated as a California non-profit, the Idyllwild Arts Foundation, in
1946. The two programs of the school are the Summer Program, an intensive
arts experience for students of all ages and abilities, and the Academy, a
college-preparatory boarding arts high school.
Job Qualifications
The program is hiring people with arts backgrounds who are responsible,
hard-working and self-motivated.
Job Description
Vary from job to job. Current jobs for college students include Resident
Assistant-Children't Center, Resident Assistant-Youth Program, Lifeguard,
Theatre Tech Assistant, Children's Theatre Tech Assistant, Studio Art
Teaching Assistant, Campus Photographer, Administrativie Assistant, and
Campus EMT.

How to Apply Please check website for application process
When to Apply mid-February 2004
Contact Prof. Emma ShowalterAssistant DirectorIDYLLWILD ARTS FOUNDATIONP.O.
Box 38Idyllwild, CA 92549909- 659-2171 369909-659-5463 FAX
emma@idyllwildarts.org






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Discipline:Fine Arts
Sub-Discipline:Art
Campus:Fullerton

Appointment Type:Tenure Track
Closing Date:Open Until Filled
Description:IllustrationTenure-Track

Position
This appointment is a teaching assignment consisting of 18 studio contact
hours per week, four hours of office hours, attendance at faculty and area
meetings, and participation in other professional activities and service to
the department, university and/or community. The courses are in perspective
drawing, traditional media and digital illustration. These assignments will
serve undergraduate and graduate students enrolled in the concentrations of
Entertainment Art/Animation, Graphic Design and Illustration. Faculty
members are responsible for creative activity (currency in the field) and
service to the department, university and community.

Qualifications
An MFA degree in an appropriate area is required. Candidate's abilities
should include solid traditional and digital competencies; a strong
conceptual base should be evident in the candidate's art; evidence of
observation-based and conceptual drawing of the human figure in space; be
well versed in historical and contemporary personalities in illustration;
and have current knowledge of issues related to professional business
practices. The candidate must be able to lecture effectively, conduct studio
demonstrations in methods and media and demonstrated ability to interact and
work effectively one-on-one with a culturally diverse range of students.

Appointment Date
August 19, 2004
Rank & Salary
This position is at the rank of Assistant Professor, tenure-track. Salary
range is competitive and commensurate with rank, qualifications and
experience. Periodic salary adjustments are enacted by the state
legislature. An excellent comprehensive benefits package is available,
includes health/vision/dental plans, spousal and/or dependent fee-waiver,
access to campus child-care, a new affordable housing program,
defined-benefit retirement through the state system, along with optional
tax-sheltering opportunities.

Application Procedure
A letter of application; teaching philosophy; resume; list of three
references; 20 examples of your current work and 20 examples of student work
in either 20-pocket plastic slide sheets, in CD-ROM format or available at
an accessible website; a SASE for return of slides or CD-ROM to:

Chair, Illustration Search Committee
Department of Art
California State University, Fullerton
Fullerton, CA 92834-6850

Application Deadline
To be assured of full consideration please submit all materials by Monday,
March 8, 2004. Position remains open until filled. Interviews will be held
at Fullerton in April 2004.

The Department
The Art Department is accredited by the National Association of Schools of
Art and Design to offer the BA, BFA, MA and MFA in Art. CSUF is located
about 30 miles from downtown Los Angeles in metropolitan Orange County. The
department has approximately 1200 under-graduate art majors and 100 graduate
students, 31 full-time faculty and 60 part-time faculty. A full range of
fine arts and professional programs is offered, a 45,000 sq. ft. graduate
studio/residence/exhibition facility (Grand Central Art Center) is located
15 minutes from campus and a nationally recognized art gallery is located in
the visual arts complex.




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CALL FOR PAPERS: Synesthesia, Octopus (V1, N1) Spring/Summer 2004
Deadline: January 15, 2004

Octopus is an interdisciplinary, peer-reviewed journal published by the graduate students of the Program in Visual Studies at the University of California, Irvine. The journal is devoted to emerging scholarship that engages with visuality, culture, history, and theory from a range of contexts, disciplines, and methodologiesSynesthesia suggests a potent metaphor and method for examining and informing practices of visual studies, and for responding to critiques of this emerging field as overly fixated on the visual at the expense of other embodied experiences. The inaugural issue of Octopus invites 2,500-3,000 word manuscripts from all disciplines that engage with synesthesia from a wide-range of perspectives.

To find out more email submissions@octopusjournal.org



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CALL FOR PAPERS: Ithaca College, New York, Conference on Technology in the Humanities
May 24-26, 2004
Deadline: December 15, 2003 (revised)

We are actively soliciting proposals for individual papers and conference sessions on any topic concerning the theory and application of technology in a humanities educational context. The widespread use of digital technology has exerted a profound influence upon the humanities. Beyond the practical aspects of using technology effectively, humanities teachers and scholars also grapple with the ideological and imaginative complexities it has made possible. This conference will be an opportunity to present and discuss new ideas on technological practice and pedagogy in specific humanities disciplines, as well as the broader issues of the effect of technology upon teaching and research.

Find out more at http://www.ithaca.edu/htc2004


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Toronto, Canada
Datum dogodka: October 23 - November 3, 2002
7a 11d
5th International Festival of Performance Art
Organized by an unincorporated non-profit group of artists, 7a*11d presents a series of performance art events and artist projects in a festival setting. We pay artist fees and endeavour to subsidize travel.
http://www.7a-11d.ca
Our purpose is to offer a professional showcase for new and progressive performative works that fall outside the traditional boundaries of established genres of theatre, dance, music etc. Artist organizers will select emerging and established artists of the highest quality from around the world. We will consider a wide range of work, and are committed to presenting the breadth and depth of performance art as a genre.

PLUS:

D2D
Direct to Documentation: A video program of performance documentation. Can't come to the Festival? We still want to see your work! Send us an edited tape [three minutes or less on NTSC VHS, Hi-8, mini-DV, CD or DVD] of your performance documentation or performance for camera. All tapes submitted will be available for screening during the festival, and selected tapes will be curated into a screening program. Artist fees will be paid for those selected for screening.

Deadline: Proposals must be received no later than January 30, 2004. If you wish your materials to be returned, you MUST include a self-addressed stamped envelope or appropriate fees to cover packaging and postage for the return of your documentation. DO NOT send electronic applications to our hotmail account. Make money orders payable to 7a*11d International Festival of Performance Art.

Please be sure to indicate the kind of setting that is most appropriate for your work (e.g. indoor/outdoor site specific, industrial warehouse, white gallery, black box theatre, etc.)

Submission forms are available in .PDF and HTML formats online.
Rok prijave: 30/01/04
 
Kontakt:
7a*11d
c/o 386 Delaware Ave.
M6H 2T8 Toronto
Canada
tel: (416) 538-9178
performancefestival@hotmail.com
Vir podatka:  FADO



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Montreal, Canada
Datum dogodka: SEPTEMBER 20-27, 2004
Champ Libre
Manifestation Internationale Vidéo et Art Électronique
Theme: the Desert.
www.champlibre.com/desert/uk/...
True to its in situ diffusion approach, it is under the theme of the DESERT that Champ Libre presents its 6th edition of the Manifestation Internationale Vidéo et Art Électronique, Montréal which will take place in an urban and industrial site currently under transformation. The site chosen for the upcoming Manifestation is the inspiring des Carrieres incinerator situated in the Rosemont-Petite Patrie borough of Montreal. The site will be occupied and set up to receive an interdisciplinary program and multi-network presentation drawing from the fields of video, architecture, urbanism, literature and electronic arts.

About the Desert
The DESERT is a source of rich symbolism and meaning for humanity. For Champ Libre this theme which fascinates us through the wealth of its imaginary breadth, is above all a space for philosophical and artistic inspiration. (More on the website.)

=========

VIDEO-ART
The latest trends in contemporary video will be featured. A selection of Quebecois, Canadian and international works will reflect original research in the electronic arts.

INSTALLATION
The Manifestation will present a selection of installations chosen for the originality of their language and presentation. Particular attention will be paid to video, audio and interactive installations.
INTERACTIVE ART
The Manifestation will investigate the wide variety of forms of representation within the electronic arts through a selection of CD-ROMs, network art and Web sites.

SLIDE SHOW
Slide show projects connected to the ‘desert’ thematic may be submitted. Those works will be presented during the Manifestation through stand-alone photographic-projection devices.

PERFORMANCES, CONCERTS, INTERVENTIONS
The event DÉSERT invites artists and creative collectives to propose projects of in-situ performances, concerts and interventions.

CONFERENCES/LECTURES
Champ Libre will present a series of lectures that will contextualise recent thoughts and research in the area of electronic arts.
Rok prijave: 01/03/04
 
Kontakt:
Champ Libre
1050 boulevard René-Lévesque Est, Suite 105
H2L 2L6 Montréal (Québec)
Canada
CHAMP@CHAMPLIBRE.COM
http://www.champlibre.com/



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CALL FOR PAPERS: ArtScience, The Essential Connection

What is the value of artistic practices, techniques, inventions, aesthetics and knowledge for the working scientist? What is the value of scientific practices, techniques, inventions, aesthetics and knowledge for the artist? When does art become science and science, art? Or are these categories useless at their boundaries and intersections? Leonardo will publish a series of special sections over the next 3 years devoted to exploring these questions. Submissions can be from artistic scientists who find their art avocation valuable; from scientist-artist collaborators who can demonstrate a scientific or artistic innovation; from scientifically literate artists who draw problems, materials, techniques or processes from the sciences; or from historians of art or science looking at past examples of such interactions.

To find out more email rootbern@msu.edu



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PLease post the following :

Open call:
This is for Real: War and the Contemporary Audience

The SAC Gallery of Stony Brook University invites artists working in any
media to submit work to be considered for inclusion in a show looking at
war and its audience, participants and perpetrators. The show will take
place in March 2004.

Instructions for submissions:
ï All work should be submitted no later than January 1 and should include
the following:
ï Work sample (no more than 8 slides or DVD, VHS or CD of no longer than 3
minutes)
ï ResumÈ
ï SASE (self-addressed stamped envelope)
ï Artist Statement (optional)

For Inquiries contact: sacgallery@yahoo.com

Please send all submissions to:

SAC ART Gallery
219 Student Activities Center
Stony Brook University
Stony Brook, NY 11794-2800




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Please repost
- - - - - - - - - - - -

Tactical Sound
Call for Submissions
Issue 3 ñ Re: Radio

Tactical Sound is a quarterly compilation of findings and keepings from a quest for sound in active service towards human liberation.

Special emphasis for issue three will be notes towards a political history of radio. Essays, interviews, primary source reprints and documentation are invited. Please contact Tactical Sound by December 21st with your concepts for this special issue. Submissions due: February.

Ideally, the issue will present a political history of radio spanning from invention to webcasting.
Issues of interest include but are not limited to:
co-evolution with the record industry and television;
propaganda radio projects (imperialist and revolutionary);
tactical war-time radio projects;
pirate radio and micro-broadcasting movements;
"clear-channelization" and radio monopolies, religious and secular;
radiophonic art and experimentations;
guerilla disruption, interference and infrastructural sabotage;
utopian radio theory / projects.

If interested, please contact:
Tactical Sound c/o Alexis Bhagat 100 Decatur Street Brooklyn, NY 11216



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University of Toronto seeks Lecturer in Arts Management, Jan 15, 2004 deadline.

The University of Toronto at Scarborough seeks a qualified person to fill a full-time Lecturer's position in Arts Management, starting July 1, 2004. The Cooperative Program in Arts Management is a well-established program within the Visual and Performing Arts discipline of the Department of Humanities. Qualifications should include at least a Master's degree in Arts Management or other relevant field, and experience in the world of arts management.

The Lecturer will teach undergraduate courses at various levels in the theories and practices of arts management. Topics include public policy and public institutions in the arts, arts marketing, public relations, development, grant planning and writing, and strategic planning in the arts. Teaching responsibilities will include the senior seminar in arts management for students who have completed their work terms. The course load will be 3 full course equivalents. (The normal load for a Lecturer is four full course equivalents.)

The Lecturer will also serve as the Supervisor of Studies for the Co-op Program in Arts Management. The Supervisor of Studies participates in the admissions process, counsels students on academic matters including progress through the program, certifies completion of program requirements to the Registrar, participates in curriculum development for the program, and attends annual meetings of the external Advisory Council and other Arts Management-related events that take place from time to time throughout the year.

Send curriculum vitae, three letters of reference and evidence of excellence in teaching by January 15, 2004 to:
Professor Elizabeth Cowper
Chair, Division of Humanities
University of Toronto at Scarborough
1265 Military Trail
Toronto, ON M1C 1A4

The University is strongly committed to diversity within its community. The University especially welcomes applications from visible minority group members, women, Aboriginal persons, persons with disabilities, members of sexual minority groups and others who may contribute to further diversification of ideas. All qualified candidates are encouraged to apply; however Canadians and permanent residents will be given priority.

Arts Management Staffing Resource Group
4251 Hamilton Av
Cincinnati OH 45223
513 853 6180
Fax 513 542 7858
ArtsMgrs@TalentCenter.com




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Experimental TV Center Artists in Residency Program, application deadline Dec. 15

Experimental Television Center
Artists in Residence Program
Deadline: December 15, 2003

The Experimental Television Center announces the next deadline for the Artists in Residency Program, December 15th, 2003, for residencies between February 1st and June 30th, 2004.

The Residency supports contemporary electronic media art projects. The studio workshop environment offers access to an image processing system, intensive individualized instruction and time for exploration and personal creative growth. Artists have an opportunity to study the processes and techniques of analog and digital imaging and to then use the system independently in the creation of new works. Participating artists have complete aesthetic and technical control over all aspects of the making process.

The image processing system is a hybrid tool set, permitting the artist to create interactive relationships between older historically important analog instruments and new digital technologies, and to explore boundaries and intersections within narrative, documentary and social issue traditions as well as more experimental forms. The system offers a unique experience because it is an integration of historically significant artists‚-designed analog modules such as colorizers and image processors, as well as commercially available tools, and integrates both analog and computer-based components.

In 2003 with a grant from mediaThe foundation, we were able to significantly advance the digital components of the imaging system, incorporating a second Power Mac G4, along with DVD Studio Pro, Flash and other software; a customized Doepfer A-100 system with sonic and control modules; and innovative new interactive software, including Max and Jitter from Cycling 74.

The postmark deadline is December 15th. You are encouraged to email the written materials. To apply please send the following:
1. A brief project description
2. A current resume
3. A prioritized set of dates between February 1 and June 30, 2004.
4. A sample of completed work with SASE if you wish it returned.

For more information please contact us. The Center's programs are supported by the Electronic Media and Film Program at the New York State Council on the Arts, Daniel Langlois Foundation for Art, Science, and Technology, the Media Arts Program of the National Endowment for the Arts, mediaThe foundation, NYS Challenge Grant Program, The Andy Warhol Foundation for the Visual Arts, the New York Foundation for the Arts, the Media Action Grant Program of Media Alliance, and by corporate support from Dave Jones Design and Black Hammer Productions and by the contributions of many individual artists.

Sherry Miller Hocking
Experimental Television Center
www.experimentaltvcenter.org
ARMED WITH A CAMERA FELLOWSHIP FOR EMERGING MEDIA
ARTISTS 2004
FIVE MINUTES OF FAME
CALL FOR ENTRIES
Received by 5 p.m., Friday, December 5, 2003

Through the ARMED WITH A CAMERA FELLOWSHIP emerging
media artists will capture their world, surroundings
and outlook on life as a part of a new generation of
Asian Pacific Americans. Visual Communications (VC)
seeks to cultivate a new generation of Asian Pacific
American media artists committed to preserving the
legacy and vision of VC. FIVE MINUTES OF FAME, this
year‚s theme, will award five fellows $500 to
complete, within a five-month span of time, a
five-minute video.

Final projects must be shot in digital video format
and completed by April 12, 2004. A special program
will showcase all completed projects at various VC
exhibitions across the city of Los Angeles, including
the VC FilmFest: Los Angeles Asian Pacific Film and
Video Festival and other venues nationwide. VC will
own the productions and will also package and
distribute completed works. Distribution income will
aid in the continuation of the Armed with a Camera
Fellowship.


Benefits
Selected artists will gain the following through this
program:
? Monetary compensation for their artistic work
? Access to VC‚s post-production facilities (valued
at $700/week)
? One year VC FRIEND membership (valued at $50)
? Exhibition of their new work at the VC FilmFest
2004, and videostreamed on our website,
www.vconline.org
? Voucher to attend one Training Workshop though the
VC Digital Academy (valued at up to $250)
? Opportunity to build portfolio and gain exposure
which may open up other exhibition opportunities & the
opportunity to compete with media veterans
? Future use of VC as a fiscal sponsor
? Technical assistance when necessary

Applicant Eligibility
Eligible applicants must be of Asian Pacific descent,
25 years old and younger in the year 2004, residents
of California and have had previous work in the VC
FilmFest, ChiliVisions, any other VC exhibition and/or
any Film Festival˜this may not include on-campus
student festivals.

Project Criteria
All projects must conform to the following guidelines:
? Final piece must be a new, original work
? Final piece must shot in digital video format, no
16mm film
? Final piece must be completed by April 12, 2004 for
inclusion in the VC FilmFest 2004
? Total length of final piece must not exceed five
minutes
? Budget for each project shall not exceed $500
? Priority will be given to animation, documentary
and experimental pieces.

Fellows will be required to meet twice a month at
Visual Communications from January through April 2004.

Fellowship Selection Process
Five media artists will be selected by a
multi-generational review panel composed of community
members, media artists, critics, and curators.
Selections will be made on the basis of creative
excellence and innovation. Applicants will be
contacted by mid-January, 2004.

How to Apply
Downloadable applications are attached to this email
or available at www.vconline.org
Please send the following:
? Information Cover Sheet
? Resume
? Project Description (2 page maximum)
? Project Timeline (All projects must begin in
January 2003 and must be completed by April 12, 2004)
? Budget (proposed budget must total $500; budget
items may include artist stipend, equipment, supplies,
location fee, food, etc.)
? Sample work cued to five minutes
? Self-addressed stamped envelope

DEADLINE: Received by Midnight, Friday, December 5th,
2003. If you have any questions or concerns, please
feel free to call Leslie at (213) 680-4462 x39 or by
email.

Email to : leslie@vconline.org Fax: (213) 687-4848
Mail to: Visual Communications
120 Judge John Aiso St.
Los Angeles, CA 90012
Attn: Leslie Ito

ABOUT VISUAL COMMUNICATIONS
Founded in 1970, Visual Communications is the first
Asian Pacific media arts center in the nation. The
mission of Visual Communications is to promote
intercultural understanding through the creation,
presentation, preservation and support of media works
by and about Asian Pacific Americans. Visual
Communications was created with the understanding that
media and the arts are important vehicles to organize
and empower communities, build connections between
generations, challenge perspectives, and create an
environment for critical thinking, necessary to build
a more just and humane society. That understanding is
demonstrated through the commitment to excellence in
the media arts at the grassroots level through a range
of programs that promote honest and sensitive
portrayals of Asians and Asian Pacific Americans.
These programs are complemented by the long-standing
collaborative efforts with other community
organizations and a commitment to the development of
an informed community.

Armed with a Camera is partially funded by ABC
Entertainment and Workplace Hollywood.
109 Lower Fairfield Rd.
Newark Valley NY 13811
Phone/fax 607 687-4341



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Residencies (International artists), Studio Spaces (UK artists), Delfina Studios, London, UK. Deadline: 31 January. http://www.delfina.org.uk/res/application.html


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Rencontres Audiovisuelles 2004, Lille, France. Deadline: 10 January 2004. http://www.rencontres-audiovisuelles.org




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Festival International de Films de Femmes de Créteil, France. Deadline: 10 December. http://www.filmsdefemmes.com



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